Pierre-Auguste Renoir

French, Impressionism, 1841-1919

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The Two Sisters, On the Terrace
Pierre-Auguste Renoir
285 USD
 


Luncheon of the Boating Party
Pierre-Auguste Renoir
346 USD

Dance at Le Moulin de la Galette
Pierre-Auguste Renoir
395 USD

The Pont Neuf Paris
Pierre-Auguste Renoir
284 USD
 
A Girl with a Watering Can
Pierre-Auguste Renoir
238 USD
 
La Grenouillère
Pierre-Auguste Renoir
243 USD
 
Acrobats at the Cirque Fernando
Pierre-Auguste Renoir
240 USD
 
By the Seashore
Pierre-Auguste Renoir
243 USD
 
Dance in the Country
Pierre-Auguste Renoir
287 USD
 
The Theater Box
Pierre-Auguste Renoir
225 USD
 
Pink and Blue
Pierre-Auguste Renoir
232 USD
 
The Swing
Pierre-Auguste Renoir
281 USD
 
Young Girls at the Piano
Pierre-Auguste Renoir
281 USD
 
Woman at the Piano
Pierre-Auguste Renoir
283 USD
 
The Canoeist's Luncheon
Pierre-Auguste Renoir
245 USD
 
Vase of Chrysanthemums
Pierre-Auguste Renoir
225 USD
 
Madame Georges Charpentier
and her children

Pierre-Auguste Renoir
414 USD
 
By the Water
Pierre-Auguste Renoir
245 USD
 
Girl With a Hoop
Pierre-Auguste Renoir
231 USD
 
Dance at Bougival
Pierre-Auguste Renoir
294 USD
 
Diana the Huntress
Pierre-Auguste Renoir
290 USD
 
The Large Bathers
Pierre-Auguste Renoir
329 USD
 
The Skiff
Pierre-Auguste Renoir
223 USD
 
The Umbrellas
Pierre-Auguste Renoir
286 USD
 
The Pont des Arts, Paris
Pierre-Auguste Renoir
285 USD
 
Spring Bouquet
Pierre-Auguste Renoir
301 USD
 
Romaine Lascaux
Pierre-Auguste Renoir
235 USD
 
The Fairies Pond
Pierre-Auguste Renoir
299 USD
 
Still Life: Flowers
Pierre-Auguste Renoir
225 USD
 
The Champs Elysees during the Paris Fair of 1867
Pierre-Auguste Renoir
282 USD
 
Oarsmen at Chatou
Pierre-Auguste Renoir
286 USD
 
Lise on the Bank of the Seine
Pierre-Auguste Renoir
287 USD

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Pierre-Auguste Renoir, commonly known as Auguste Renoir (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."

Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings.

His initial paintings show the influence of the colorism of Eugène Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Édouard Manet, and his early work resembles theirs in his use of black as a color. Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th-century master François Boucher.

A fine example of Renoir's early work and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work; the figure carefully observed, solidly modeled and superimposed upon a contrived landscape. If the work is a "student" piece, Renoir's heightened personal response to female sensuality is present. The model was Lise Tréhot, the artist's mistress at that time, and inspiration for a number of paintings.

In the late 1860s, through the practice of painting light and water en plein air (outdoors), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them, an effect known today as diffuse reflection. Several pairs of paintings exist in which Renoir and Monet worked side-by-side, depicting the same scenes (La Grenouillère, 1869).

One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Bal du moulin de la Galette). The painting depicts an open-air scene, crowded with people at a popular dance garden on the Butte Montmartre close to where he lived. The works of his early maturity were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined formal technique to portraits and figure paintings, particularly of women. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style in an attempt to return to classicism.Concentrating on his drawing and emphasizing the outlines of figures, he painted works such as The Large Bathers (1884–87; Philadelphia Museum of Art) during what is sometimes called his "Ingres period".

After 1890 he changed direction again. To dissolve outlines, as in his earlier work, he returned to thinly brushed color. From this period onward he concentrated on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1887. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes.

A prolific artist, he created several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently reproduced works in the history of art. The single largest collection of his works - 181 paintings in all - is at the Barnes Foundation, in Philadelphia.